The Last Sign
| Director: | Douglas Law |
| Writer: | Ron Base, Anne Ray-Wendling, Heidrun Schleef |
| Actors: | Andie MacDowell, Samuel Le Bihan, Tim Roth |
| Cinematographer: | Jean-Claude Larrieu |
| Art direction: | Claude Tremblay |
| Original music: | Pete Lorimer |
| SFX conceptor: | Louis Craig |
| Producers: | Claude Carrère, Michael Cowan, Claude Léger, Jason Piette, Jonathan Vanger |
| Unit manager: | Dominique Boussagol, Paul Boutin |
| Executive producers: | Nathalie Bournat, Anne Evrard, Peter James, James Simpson |
| Production company: | Transfilm, Spice Factory, Carrère Groupe, Dall'Angelo Pictures, Darklight Films, France 2 Cinéma, Movision, Téléfilm Canada |
Kathleen is a woman struggling with her own hurt and rebellion, trying to heal her wounds after the untimely death of her alcoholic and abusive husband Jeremy. Their years together were bittersweet, tainted with violence, pain and betrayed love. She is unable to forgive and harbours more hatred than affection for Jeremy. Disturbing occurences begin to disrupt her life: phone calls after midnight, objects disappear, the figure eight manifest itself repeatedly. Katleen tries to ignore these strange happenings, but they become more frequent. She realizes that it is the tormented ghost of her husband calling out for forgiveness. Torn between her growing fondness for her tenant Marc and the memory of her husband, she understands that by chaining Jeremy with her unforgiven souvenirs, she is binding herself in a prison cell.
